Matthew.1

With a sense of expectation, this piece has a sense of solid movement - having both solid harmonic structure among the trio parts as well as imitative movement to add interest. After a final, solid

This solo begins with non-thematic material setting up the mood of the piece. The theme is then introduced in a back-and-forth format between the instrument and accompaniment. It then continues with an

A Viola duet beginning with a motivic introduction followed by part one presenting a modified melody with part two using a moving countermelody. The next phrase the roles are reversed. Next a modulation

A Violin-cello duet beginning with a motivic introduction followed by part one presenting a modified melody with part two using a moving countermelody. The next phrase the roles are reversed. Next a

A Cello duet beginning with a motivic introduction followed by part one presenting a modified melody with part two using a moving countermelody. The next phrase the roles are reversed. Next a modulation

A Violin duet beginning with a motivic introduction followed by part one presenting a modified melody with part two using a moving countermelody. The next phrase the roles are reversed. Next a modulation

A beautifully harmonized arrangement that will prove to be an interesting and enjoyable experience for all performers involved. An uplifting piece, perfect for your Easter performance.

A traditional early American hymn scored for a medium-advanced instrumental soloist. A good choice for communion and other special moments during a worship service.

This sensitive solo arrangement rotates a haunting Siciliano type theme and the traditional Adeste Fidelis in almost a rondo form. A beautiful rendition that is very reflective and meditative and

Traditional string quartet with opt. violin part for viola. The introduction begins in a somewhat solemn nature, building in tension and then in repose where it introduces the hymn "Savior Like A Shepherd

Traditional string quartet with opt. violin part for viola. The piece is rendered as a march with the tune clearly stated in the first violin and then becomes more chordal in the upper three parts. A

An unaccompanied duet for viola and cello the introduction is a simple motif. The first verse is straight forward alternating between the two parts with active rhythmic counter lines. As the piece

A traditional string quartet with option violin for viola. The introduction and first melodic statement is rather straight forward giving a beauty with its simplicity. The next section has the second violin

This string quartet, with optional piano, is a rollicking rendition of this old carol. The melodic material is passed around amongst all the parts to give color and interest. As well, the punctuations of

A Rich Heffler Music arrangement. The piece is in irregular meters throughout. The work is in a continual jovial manner and is a excellent work for the more mature player.

A violin trio and piano. The opening has the strings using a modified melody in a chordal structure. It continues in much the same light with the piano embellishing with lines of elegance.